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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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2
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8
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Trombone
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2 Altos (duo)
10
Violon
8
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6
Violon et Piano
5
Violoncelle (partie séparée)
4
Alto, Piano
3
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Violon (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse (partie séparée)
1
Contre Basse
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Alto (partie séparée)
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Violoncelle
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Alto seul
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Harpe, Voix
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Orchestre d'harmonie
13
Orchestre
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Fanfare
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Ensemble d'École
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Ensemble Jazz
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Batterie
5
Cloches
3
Orchestre à Cordes
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Orchestre de chambre
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Jazz combo
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Ensemble de cuivres
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AUTRES
Vous avez sélectionné:
Get Up, Stand Up
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
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Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didnât want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and âback and forthâ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a âturning pointâ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Debussy: Danse bohémienne - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372535 Composed by Claude Debussy. Arranged by Ray Thompson. 19th Century,Romantic Period. 11 pages. RayThompsonMusic #956846. Published by RayThompsonMusic (A0.1372535). Debussy: Danse bohémienne La Danse bohémienne (Bohemian Dance) is a piano piece composed in the late summer of 1880. This is the composer's first published piano work. It was judged by Tchaikovsky as follows...It's really a very nice thing, though really too short; not one thought is expressed through to the end and the form is extremely messy and devoid of wholeness ...  It was written when he was eighteen years old for Nadejda von Meck, Tchaikovsky's rich and generous patroness. Frank Dawes writes of the Danse bohémienne, there is perhaps a mild gipsiness that may have been picked up from the gipsy singers at the Moscow cabarets that Debussy is reputed to have frequented. In texture the piece has something of the salon style of Tchaikovsky, though very much simplified. This straightforward piece, in B minor and 2/4 time, isn't altogether without a few dashes of polka rhythm, but its only notable point of originality comes in the coda, where a tonic chord over a submediant pedal point highlights the interval of a major seventh, possible slightly Russian in character.The score was first published in 1932 by Schott (Maintence), then by Henle (1991, ed. Ernst-Günter Heinemann) and Durand (2000, ed. Roy Howat)It is arranged for standard wind quintet.
$14.95
13.95 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claude Debussy
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Ray Thompson
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Debussy: Danse bohémienne - wind quintet
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RayThompsonMusic
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SheetMusicPlus
When The Party's Over
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302902 By Billie Eilish. By Finneas O'Connell. Arranged by Daniel E. Self. 21st Century,Contemporary,Pop,Rock. 17 pages. Daniel Self #892514. Published by Daniel Self (A0.1302902). An outstanding option for any wind quintet's popular music collection this arrangement of When The Party's Over features densely packed harmonies, abd subtle nuances of dynamics and texture. Scored for wind quintet (flute, oboe, clarinet, horn, and bassoon) the arrangmenet opens with a chorale like introduction of the songs main chord progression. The melody is introduced one voice at a time over long sustained notes only joining together in a tutti at the first chorus. The texture and intensity expands in the second verse before revisitng the gently stated tutti of the chorus once again. The bridge is led by the horn and punctuated by the upper voices of the woodwinds before passing off to a brief solo flute passage setting up the final chorus. The song closes just as it begun with a soft chorale of the songs opening chord progression. Score and parts included (17 pages).
$15.00
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Billie Eilish
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Daniel E
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When The Party's Over
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Daniel Self
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SheetMusicPlus
Sweet Home Alabama
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.868291 By A…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.868291 By Alabama. By Ed King, Gary Rossington, and Ronnie Van Zant. Arranged by Wayne Neilson (APRA/AMCOS/MAGA). Rock. 26 pages. Wayne Neilson #3530423. Published by Wayne Neilson (A0.868291). This arrangement is a colourful and energetic rendition of the Lynyrd Skynyrd original. Material is treated true to the original with energy, excitement, and rhythmic vitality. A fun piece to play. The arrangement and voicing captures the variety of tones that a Woodwind Quintet can produce. Great contrast between playing articulations creates an exciting and vibrant ensemble piece. Solo material is advanced standard. A great arrangement for Corporate events, Motivational Seminars, Ceremonies, School, College, or Community ensembles. Visit my website and subscribe to stay up to date with the latest arrangements. Website: https://www.wayne-neilson.com
$15.00
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Alabama
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Sweet Home Alabama
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Wayne Neilson
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SheetMusicPlus
A Night in June
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.10…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1031729 Composed by K.L. King. Arranged by James Cutter. Folk,Holiday,Instructional,Patriotic,Standards,Traditional. Score and parts. 11 pages. James Cutter #3536147. Published by James Cutter (A0.1031729). Karl King's best-known composition is his Barnum and Bailey's Favorite. In that march, he is able to conjure up a magnificent scene of the old circus tents -- all the aromas, all the sounds, all the sights, and, of course, the circus band. King in 'A Night in June' he transports you to a simpler time. With images of sitting on the porch at evening listening to the crickets sipping on ice tea and just enjoying life. This arrangement is for Woodwind Quintet; where the French Horn has the melody for the majority of the time. Usually in woodwind quintet settings French Horn plays a support role with the Flute or oboe playing the melody. In this arrangement the horn gets to shine. This is a great teaching piece for an advancing Woodwind Quintet. It does have some tricky key signatures for all of the parts but would make a great supplement to a summer music camp or music program looking to challenge a young ensemble.
$3.99
3.72 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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K
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James Cutter
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A Night in June
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James Cutter
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SheetMusicPlus
Another Day Of Sun - Woodwind Quintet Arrangement
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Quintet - Digital Download Arranged by Kenneth Chia. 21 pages. Published by …
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Woodwind Quintet - Digital Download Arranged by Kenneth Chia. 21 pages. Published by Tuning Fork Music PLT
This is an arrangement of "Another Day of Sun" from the 2016 movie "La-La Land" starring Emma Stone and Ryan Gosling. The song was the opening number of the movie, with a rousing up-tempo quasi-jazz feel that gets audiences toe-tapping along to the groove. This particular arrangement is for the standard Woodwind Quintet: Flute, Oboe, Clarinet, Bassoon, and French Horn. Guaranteed to make both the audience and performers satisfied and delighted!
$24.99
23.31 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kenneth Chia
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Another Day Of Sun - Woodwind Quintet Arrangement
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Tuning Fork Music PLT
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SheetMusicPlus
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